Workflow guide · CrossWire field notes

How to record guitar with CrossWire

Recording guitar with CrossWire at home: Audio Setup and buffer choice, gain staging with the IN/OUT meters, monitoring, presets, and the CLAP plugin for recall.

CrossWire guitar effects routing screen showing an editable signal chain
CrossWire routing view: every value quoted in this guide is a real knob or voicing in the app — recall the linked Rig Seeds to see them on your own canvas.

What this workflow decides

Recording starts in Audio Setup (Options → Audio Setup, or the AUDIO SETUP button in the top bar): pick the driver (WASAPI, DirectSound or ASIO on Windows), the input and output device and channels, and the buffer size. Smaller buffers mean lower monitoring latency but more CPU pressure — the top bar shows both a CPU percentage and an xruns counter, and any xrun you hear on a take is a buffer size that was too optimistic.

Gain staging is two knobs and two meters. The INPUT node’s GAIN knob (−24 to +24 dB) is the trim: play your hardest part and keep the IN meter’s peak-hold marker out of the red — clipping before the GATE and drive stages is unfixable later. The OUTPUT nodes’ GAIN knobs set what your interface or DAW receives; watch the OUT meter’s dB readout while you match the bypassed level (the global bypass button is the honest A/B).

Where it sits in the graph

INPUT (trim here) > GATE > drive > AMP > CAB > EQ > ambience > OUTPUT (level here)

Track the core, keep options open: a focused AMP-and-CAB sound with modest ambience records well, and because the same graph loads in the CLAP plugin inside your DAW, the exact rig — wiring, models, knob values — recalls with the project. A session note that says “Rig Seed 2986, DELAY MIX at 4” is a complete tone recall; File → Save... with a descriptive name is even better.

Three practical moves

  • Choose the buffer with the meters, not folklore. Start small, play the busiest part of the song, and watch xruns. Zero xruns for a full take is the requirement; the smallest buffer that achieves it is your setting. Changing it later changes nothing about the tone.
  • Print the take you monitored. CrossWire’s demo and licensed builds both run full audio fidelity, so what you hear while tracking is the sound. If you want to keep re-amping options, also record a dry DI track in the DAW and run the CLAP plugin on it afterwards — same engine, same rig, decided later.
  • Name presets by job. File → Save... with names like “rhythm tight room” or “lead long tail” beats “Preset 7” at 2 a.m. The top-bar preset name flips to “(edited)” the moment any knob moves, so you always know whether the saved version is what you are hearing.

Hear it in a real rig

Try it in CrossWire.

Download the standalone app or load the CLAP plugin, recall any Rig Seed named above, and every setting in this guide appears on your own canvas.

Get the CrossWire demo →